1808-1886 Thomas Chambers Galleries   Related Paintings of Thomas Chambers :. | The Constitution and The Guerriere | Threatening Sky at the Bay of New York | Capture of H.B.M.Frigate Macedonian by U.S.Frigate United States | View of Cold Spring and Mount Taurus about 1850 | Niagara Falls viewed from Goat Island |
Related Artists:
Johann Erdmann Hummel
1769 Kassel-1852 Berlin,German painter and writer. He studied from 1782 in the architecture class at the Akademie der Bildenden K?nste at Kassel and subsequently under the Kassel court painter, Wilhelm B?ttner. Hummel retained his connection with architecture, however, and this is manifested in his overpowering concern with structure and perspective. The Kassel court granted Hummel funds for travel and study in Italy and, in 1792, he went to Rome, where he joined a group of fellow Germans, including the painters Johann Christian Reinhart, Johann Martin von Rohden, Friedrich Bury and the architect Friedrich Weinbrenner. In 1796 Joseph Anton Koch joined the group. Hummel also attended the philosophical lectures given by Carl Ludwig Fernow (1763-1808) and became a friend of the archaeologist Aloys Hirt. In Rome,
Pehr Hillestrom
Swedish, 1732-1816,was a Swedish artist and since 1794 a professor at the Swedish Royal Academy of Art. He became the director in 1810. He produced numerous paintings of mostly women and children performing various daily tasks inside upper- and middle-class homes in Stockholm. Dresses and furniture were painted exactly the way they looked and provide a valuable source of information about what life was like in those days. In addition to this he painted craftsmen in action at mills and other early industrial workplaces. Between 1757 and 1772 he worked as a master tapestry weaver, after learning the trade in France.
MOLA, Pier Francesco
Italian Baroque Era Painter, 1612-1666 Painter and draughtsman, son of (1) Giovanni Battista Mola. His most characteristic works are small, intensely romantic scenes from mythology, the Bible, and from works by the poet Torquato Tasso, set in landscapes inspired by Venetian art. Yet he also received important public commissions for frescoes and altarpieces, and in his mature work he achieved an impressive synthesis of 17th-century Roman gran maniera painting with the stronger chiaroscuro and richer palette of the 16th-century Venetian style. He was a prolific and versatile draughtsman, who drew for pleasure as well as in preparation for commissions; he was also a witty caricaturist, who mocked himself and his friends as much as more typical targets